Few documents testify so insistently to an intimate relationship between a husband and wife as the Hopper ledgers. They present another aspect of the marriage of Edward Hopper and Josephine Nivison Hopper, a marriage on its way to becoming legendary. Edward Hopper died in 1967, his wife the following year. She bequeathed to the Whitney Museum a trove of paintings (including her own), documents, drawings, and memorabilia. In ten months of her widowhood, she edited the surviving material, which after her death may have suffered further losses before it found its permanent home. A generous woman, she acknowledged the long-term support of the Whitney's their direction, Lloyd Goodrich, by leaving him the four ledgers, which record in detail almost every painting and etching made, exhibited, and sold throughout Edward Hopper's long career. (Brian O'Doherty)
From the Book, Edward Hopper: A Journal of His Work. Deborah Lyons. 1997, Whitney Museum of American Art.